Point Of No Return
30s preview
- BPM
- 122
- Open Key
- 5d
- Energy
- 92/100
- Pop
- 55/100
- Length
- 4:44
- Released
- 2023
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 12.8 dB
- ISRC
- DEEC33500956
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Point Of No Return (Live From The Studio)original8A · 120
At 122 BPM in E major (12B), Point Of No Return is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 93% of Adam Port's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 93% of Adam Port's catalogue
- Brightness:
- darker than 90% of Adam Port's catalogue
- Reach:
- better known than 89% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Point Of No Return in?
Point Of No Return by Adam Port is in E major, or 12B on the Camelot wheel.
What BPM is Point Of No Return?
Point Of No Return runs at 122 BPM, a club-tempo track.
What mixes well with Point Of No Return?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Point Of No Return good for peak time?
With energy 92 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 122 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
