Be the One
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 75/100
- Length
- 3:26
- Released
- 2026
- Genre
- Tech House
- Loudness
- -7.1 dB
- Dynamics
- 11.9 dB
- ISRC
- DEEC33502469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Be the One runs 123 BPM in D♭ major (3B), a club-tempo tech house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 96% of Adam Port's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 89% of Adam Port's catalogue
- Brightness:
- brighter than 79% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Be the One in?
Be the One by Adam Port is in D♭ major, or 3B on the Camelot wheel.
What BPM is Be the One?
Be the One runs at 123 BPM, a club-tempo track.
What mixes well with Be the One?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Be the One good for peak time?
With energy 82 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
