Harlem 1999
- BPM
- 123
- Open Key
- 5d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2015
- Album
- The Ghetto House Chronicles EP
- Genre
- Tech House
- Loudness
- -10.8 dB
- ISRC
- FR59R1589959
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Harlem 1999 runs 123 BPM in E major (12B), a club-tempo tech house record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 88% of Sishi Rösch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Harlem 1999 in?
Harlem 1999 by Sishi Rösch is in E major, or 12B on the Camelot wheel.
What BPM is Harlem 1999?
Harlem 1999 runs at 123 BPM, a club-tempo track.
What mixes well with Harlem 1999?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Harlem 1999 good for peak time?
With energy 81 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 123 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Sishi Rösch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
