The Dream by Adam Port cover art

The Dream

Adam Port

30s preview

Key
10A · B minor
BPM
119
Open Key
3m
Energy
69/100
Pop
59/100
Length
3:30
Released
2023
Genre
Tech House
Loudness
-8.0 dB
Dynamics
15.8 dB
ISRC
GBCPZ2322034

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 119 BPM in B minor (10A), The Dream is a club-tempo tech house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 98% of Adam Port's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 95% of Adam Port's catalogue
Tempo:
slower than 92% of Adam Port's catalogue
Reach:
better known than 91% of Adam Port's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood50Balanced
Groove86
Acoustic10
Instrumental3
Live14
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is The Dream in?

The Dream by Adam Port is in B minor, or 10A on the Camelot wheel.

What BPM is The Dream?

The Dream runs at 119 BPM, a club-tempo track.

What mixes well with The Dream?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is The Dream good for peak time?

With energy 69 out of 100 at 119 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 119 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

More tech house

More from Adam Port

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track