Crazy For It by Adam Port cover art

Crazy For It

Adam Port

30s preview

Key
12A · D♭ minor
BPM
120
Open Key
5m
Energy
73/100
Pop
72/100
Length
4:11
Released
2025
Genre
Tech House
Loudness
-6.9 dB
Dynamics
10.8 dB
ISRC
DEEC33501996

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Crazy For It runs 120 BPM in D♭ minor (12A), a club-tempo tech house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Adam Port's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 88% of Adam Port's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood22Dark
Groove69
Acoustic23
Instrumental1
Live58
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Crazy For It in?

Crazy For It by Adam Port is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Crazy For It?

Crazy For It runs at 120 BPM, a club-tempo track.

What mixes well with Crazy For It?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Crazy For It good for peak time?

With energy 73 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Adam Port

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track