Move by Adam Port cover art

30s preview

Key
1A · A♭ minor
BPM
120
Open Key
6m
Energy
78/100
Pop
86/100
Length
2:58
Released
2024
Genre
Deep House
Label
Keinemusik
Loudness
-8.5 dB
Dynamics
10.8 dB
ISRC
DEEC33501508

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Moveoriginal1A · 120

A club-tempo deep house cut, Move sits in A♭ minor (1A) at 120 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Adam Port's catalogue. For programming, treat it as a floor-filler.

Low end:
more treble-tilted than 89% of Adam Port's catalogue
Tempo:
slower than 88% of Adam Port's catalogue
Brightness:
brighter than 82% of Adam Port's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood66Balanced
Groove73
Acoustic6
Instrumental34
Live23
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Move in?

Move by Adam Port is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Move?

Move runs at 120 BPM, a club-tempo track.

What mixes well with Move?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Move good for peak time?

With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

More from Adam Port

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track