Awakening - Matias Chilano Remix by Michael A cover art

Awakening - Matias Chilano Remix

Michael A

30s preview

Key
1B · B major
BPM
120
Open Key
6d
Energy
76/100
Pop
0/100
Length
7:36
Released
2016
Album
Awakening
Genre
Progressive House
Loudness
-7.1 dB
Dynamics
14.2 dB
ISRC
US83Z1658032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 120 BPM), this version holds the same tempo and moves the key from 3B to 1B.

At 120 BPM in B major (1B), Awakening - Matias Chilano Remix is a club-tempo progressive house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. More underground than 99% of Michael A's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 97% of Michael A's catalogue
Low end:
more treble-tilted than 95% of Michael A's catalogue
Groove:
less groove-driven than 77% of Michael A's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood19Dark
Groove72
Acoustic0
Instrumental85
Live28
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Awakening - Matias Chilano Remix in?

Awakening - Matias Chilano Remix by Michael A is in B major, or 1B on the Camelot wheel.

What BPM is Awakening - Matias Chilano Remix?

Awakening - Matias Chilano Remix runs at 120 BPM, a club-tempo track.

What mixes well with Awakening - Matias Chilano Remix?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Awakening - Matias Chilano Remix good for peak time?

With energy 76 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Michael A

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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