Yesterday & Today (The Register)
- BPM
- 120
- Open Key
- 7d
- Energy
- 77/100
- Pop
- 9/100
- Length
- 9:15
- Released
- 1995
- Genre
- House
- Loudness
- -8.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Yesterday & Today (The Register) sits in F♯ major (2B) at 120 BPM. The feel is punchy, neutral in mood. It is vocal-led. A 1995 production that still circulates in sets. Slower than 97% of Danny Tenaglia's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 88% of Danny Tenaglia's catalogue
- Reach:
- better known than 75% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Yesterday & Today (The Register) in?
Yesterday & Today (The Register) by Danny Tenaglia is in F♯ major, or 2B on the Camelot wheel.
What BPM is Yesterday & Today (The Register)?
Yesterday & Today (The Register) runs at 120 BPM, a club-tempo track.
What mixes well with Yesterday & Today (The Register)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Yesterday & Today (The Register) good for peak time?
With energy 77 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
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How to mix it
In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
