Migrants (Radio Slave Accapella) [Guy J Edit] by Guy J cover art

Migrants (Radio Slave Accapella) [Guy J Edit]

Guy J

30s preview

Key
3B · D♭ major
BPM
120
Open Key
8d
Energy
76/100
Pop
6/100
Length
7:36
Released
2013
Album
Balance Presents (Un-Mixed Version)
Genre
Progressive House
Loudness
-8.2 dB
Dynamics
9.9 dB
ISRC
AUXN21313083

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in D♭ major (3B), Migrants (Radio Slave Accapella) [Guy J Edit] is a club-tempo progressive house production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Darker than 96% of Guy J's catalogue. For programming, treat it as a floor-filler.

Low end:
more bass-heavy than 91% of Guy J's catalogue
Tempo:
slower than 89% of Guy J's catalogue
Groove:
groovier than 88% of Guy J's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood4Dark
Groove81
Acoustic0
Instrumental85
Live6
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
24%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Migrants (Radio Slave Accapella) [Guy J Edit] in?

Migrants (Radio Slave Accapella) [Guy J Edit] by Guy J is in D♭ major, or 3B on the Camelot wheel.

What BPM is Migrants (Radio Slave Accapella) [Guy J Edit]?

Migrants (Radio Slave Accapella) [Guy J Edit] runs at 120 BPM, a club-tempo track.

What mixes well with Migrants (Radio Slave Accapella) [Guy J Edit]?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Migrants (Radio Slave Accapella) [Guy J Edit] good for peak time?

With energy 76 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Guy J

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track