Dont Share It
30s preview
- BPM
- 120
- Open Key
- 8d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2012
- Album
- Dont Share It Ep
- Genre
- Tech House
- Loudness
- -7.9 dB
- Dynamics
- 13.8 dB
- ISRC
- QMUDV1100112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dont Share It: club-tempo tech house, D♭ major (3B), 120 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Fideles's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 98% of Fideles's catalogue
- Brightness:
- brighter than 98% of Fideles's catalogue
- Low end:
- more treble-tilted than 91% of Fideles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dont Share It in?
Dont Share It by Fideles is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dont Share It?
Dont Share It runs at 120 BPM, a club-tempo track.
What mixes well with Dont Share It?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dont Share It good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Fideles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
