Summit - Extended Mix
30s preview
- BPM
- 120
- Open Key
- 7m
- Energy
- 74/100
- Pop
- 1/100
- Length
- 5:24
- Released
- 2017
- Album
- Summit
- Genre
- Progressive House
- Loudness
- -7.2 dB
- Dynamics
- 20.6 dB
- ISRC
- US83Z1775404
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summitoriginal2A · 112
Against the original (2A at 112 BPM), this version runs 8 BPM faster in the same key.
Summit - Extended Mix runs 120 BPM in E♭ minor (2A), a club-tempo progressive house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 21 dB). A 2017 production that still circulates in sets. More treble-tilted than 95% of Marsh's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 89% of Marsh's catalogue
- Reach:
- more underground than 87% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Summit - Extended Mix in?
Summit - Extended Mix by Marsh is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Summit - Extended Mix?
Summit - Extended Mix runs at 120 BPM, a club-tempo track.
What mixes well with Summit - Extended Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Summit - Extended Mix good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Marsh
Full profile
![All Night Long [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
