Look Ahead (The Voice)
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 74/100
- Pop
- 13/100
- Length
- 8:15
- Released
- 1995
- Genre
- House
- Loudness
- -10.1 dB
- Dynamics
- 14.4 dB
- ISRC
- USUM71818843
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Look Ahead (The Voice) sits in B♭ minor (3A) at 120 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1995 production that still circulates in sets. Slower than 97% of Danny Tenaglia's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 81% of Danny Tenaglia's catalogue
- Brightness:
- brighter than 79% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Look Ahead (The Voice) in?
Look Ahead (The Voice) by Danny Tenaglia is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Look Ahead (The Voice)?
Look Ahead (The Voice) runs at 120 BPM, a club-tempo track.
What mixes well with Look Ahead (The Voice)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Look Ahead (The Voice) good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
