I Smile To The Life - Original Mix
30s preview
- BPM
- 120
- Open Key
- 4d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2012
- Album
- My Lucky Charm EP
- Genre
- Tech House
- Loudness
- -8.1 dB
- Dynamics
- 12.8 dB
- ISRC
- GBKQU1296961
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Smile To The Life - Original Mix is a club-tempo tech house track in A major (11B) at 120 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Rafael Cerato's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 96% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is I Smile To The Life - Original Mix in?
I Smile To The Life - Original Mix by Rafael Cerato is in A major, or 11B on the Camelot wheel.
What BPM is I Smile To The Life - Original Mix?
I Smile To The Life - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with I Smile To The Life - Original Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is I Smile To The Life - Original Mix good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Horizon Red (Damian Lazarus Re-Shape) [Extended] by Damian Lazarus cover art](https://i.scdn.co/image/ab67616d00001e0221c73d237e11632863d4a46f){kind=small}
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Rafael Cerato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
