Feel the Heat - Edit by Rafael Cerato cover art

Feel the Heat - Edit

Rafael Cerato

30s preview

Key
2A · E♭ minor
BPM
128
Open Key
7m
Energy
87/100
Pop
32/100
Length
4:08
Released
2025
Album
Feel the Heat (Edit)
Genre
Tech House
Loudness
-8.9 dB
Dynamics
10.0 dB
ISRC
DEPI82515048

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Feel the Heat - Edit is a peak-time tempo tech house track in E♭ minor (2A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Rafael Cerato's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 95% of Rafael Cerato's catalogue
Tempo:
faster than 94% of Rafael Cerato's catalogue
Brightness:
brighter than 80% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood55Balanced
Groove57
Acoustic0
Instrumental79
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Feel the Heat - Edit in?

Feel the Heat - Edit by Rafael Cerato is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Feel the Heat - Edit?

Feel the Heat - Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with Feel the Heat - Edit?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Feel the Heat - Edit good for peak time?

With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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