I Got To Move - Extended Mix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 6:17
- Released
- 2024
- Album
- I Got To Move (Extended Mix)
- Genre
- Tech House
- Loudness
- -6.9 dB
- Dynamics
- 12.5 dB
- ISRC
- NLZ542400393
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Got To Moveoriginal10A · 128
Against the original (10A at 128 BPM), this version holds the same tempo and moves the key from 10A to 9B.
I Got To Move - Extended Mix: peak-time tempo tech house, G major (9B), 128 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Marco Lys's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 83% of Marco Lys's catalogue
- Groove:
- less groove-driven than 78% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I Got To Move - Extended Mix in?
I Got To Move - Extended Mix by Marco Lys is in G major, or 9B on the Camelot wheel.
What BPM is I Got To Move - Extended Mix?
I Got To Move - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with I Got To Move - Extended Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I Got To Move - Extended Mix good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
