Afterglow (feat. Natalie Shay)
30s preview
- BPM
- 128
- Open Key
- 7d
- Energy
- 85/100
- Pop
- 19/100
- Length
- 4:00
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -5.8 dB
- Dynamics
- 9.5 dB
- ISRC
- GBEWA1905100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Afterglow (feat. Natalie Shay) - Kryder Remixremix2B · 126
- Afterglow (feat. Natalie Shay) - CYA Remixremix3A · 122
- Aftergloworiginal2B · 128
- Afterglow (feat. Natalie Shay) - Kryder Extended Mixversion2B · 126
- Afterglow (feat. Natalie Shay) - Anderholm Remixremix2A · 124
- Afterglow (feat. Natalie Shay) - Kane Remixremix3A · 175
Afterglow (feat. Natalie Shay): peak-time tempo progressive house, F♯ major (2B), 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 95% of Grum's catalogue.
- Reach:
- better known than 89% of Grum's catalogue
- Tempo:
- faster than 79% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Afterglow (feat. Natalie Shay) in?
Afterglow (feat. Natalie Shay) by Grum is in F♯ major, or 2B on the Camelot wheel.
What BPM is Afterglow (feat. Natalie Shay)?
Afterglow (feat. Natalie Shay) runs at 128 BPM, a peak-time tempo track.
What mixes well with Afterglow (feat. Natalie Shay)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Afterglow (feat. Natalie Shay) good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
