Here We Go Again - Radio Edit
- BPM
- 128
- Open Key
- 5m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 2:56
- Released
- 2013
- Album
- Here We Go Again
- Genre
- Progressive House
- Loudness
- -2.1 dB
- ISRC
- DEW871303928
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here We Go Againoriginal12A · 128
- Here We Go Again - Full Vox Mixoriginal12A · 128
- Here We Go Again - Jean Elan Remixremix12A · 128
- Here We Go Again - My Digital Enemy Remixremix2B · 128
Against the original (12A at 128 BPM), this version holds the same tempo in the same key.
Here We Go Again - Radio Edit: peak-time tempo progressive house, D♭ minor (12A), 128 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Pretty Pink's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Pretty Pink's catalogue
- Brightness:
- brighter than 91% of Pretty Pink's catalogue
- Tempo:
- faster than 85% of Pretty Pink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Here We Go Again - Radio Edit in?
Here We Go Again - Radio Edit by Pretty Pink is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Here We Go Again - Radio Edit?
Here We Go Again - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Here We Go Again - Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Here We Go Again - Radio Edit good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
