Niton [The Reason] - Pryda 82 Remix by Eric Prydz cover art

Niton [The Reason] - Pryda 82 Remix

Eric Prydz

Key
9A · E minor
BPM
128
Open Key
2m
Energy
89/100
Pop
0/100
Length
4:24
Released
2010
Album
Niton [The Reason]
Genre
House
Loudness
-5.5 dB
ISRC
GBCEN1001168

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 128 BPM), this version holds the same tempo and moves the key from 10A to 9A.

A peak-time tempo house cut, Niton [The Reason] - Pryda 82 Remix sits in E minor (9A) at 128 BPM. The feel is dark and driving. It is vocal-led. A 2010 production that still circulates in sets. More underground than 99% of Eric Prydz's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 81% of Eric Prydz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood16Dark
Groove54
Acoustic0
Instrumental0
Live33
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Niton [The Reason] - Pryda 82 Remix in?

Niton [The Reason] - Pryda 82 Remix by Eric Prydz is in E minor, or 9A on the Camelot wheel.

What BPM is Niton [The Reason] - Pryda 82 Remix?

Niton [The Reason] - Pryda 82 Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Niton [The Reason] - Pryda 82 Remix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Niton [The Reason] - Pryda 82 Remix good for peak time?

With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Eric Prydz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track