Miss You - Vidal Original Extended Mix
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 8:07
- Released
- 2010
- Album
- Miss You (feat. Coco Hayek)
- Genre
- House
- Loudness
- -6.1 dB
- Dynamics
- 12.1 dB
- ISRC
- CAH251010228
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Miss You - Blond:ish Terrace Mixoriginal8A · 128
- Miss You - Criss Wave Dubversion3A · 128
- Miss You - Criss Wave Mixoriginal3A · 128
- Miss You - Original Radioversion8A · 128
- Miss You - Blond:ish Terrace Dubversion8A · 128
- Miss You - CIC Mixoriginal9A · 126
Against the original (8A at 128 BPM), this version holds the same tempo in the same key.
Miss You - Vidal Original Extended Mix: peak-time tempo house, A minor (8A), 128 BPM. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Blond:ish's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 89% of Blond:ish's catalogue
- Tempo:
- faster than 87% of Blond:ish's catalogue
- Groove:
- less groove-driven than 84% of Blond:ish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Miss You - Vidal Original Extended Mix in?
Miss You - Vidal Original Extended Mix by Blond:ish is in A minor, or 8A on the Camelot wheel.
What BPM is Miss You - Vidal Original Extended Mix?
Miss You - Vidal Original Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Miss You - Vidal Original Extended Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Miss You - Vidal Original Extended Mix good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Blond:ish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
