Miss You - Criss Wave Mix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 1/100
- Length
- 7:28
- Released
- 2010
- Album
- Miss You (feat. Coco Hayek)
- Genre
- House
- Loudness
- -3.7 dB
- Dynamics
- 10.7 dB
- ISRC
- CAH251010230
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Miss You - Blond:ish Terrace Mixoriginal8A · 128
- Miss You - Criss Wave Dubversion3A · 128
- Miss You - Original Radioversion8A · 128
- Miss You - Blond:ish Terrace Dubversion8A · 128
- Miss You - CIC Mixoriginal9A · 126
- Miss You - Rio & Joe Chan's Mixoriginal8A · 128
Miss You - Criss Wave Mix runs 128 BPM in B♭ minor (3A), a peak-time tempo house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Groovier than 88% of Blond:ish's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 87% of Blond:ish's catalogue
- Energy:
- hotter than 86% of Blond:ish's catalogue
- Brightness:
- darker than 78% of Blond:ish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Miss You - Criss Wave Mix in?
Miss You - Criss Wave Mix by Blond:ish is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Miss You - Criss Wave Mix?
Miss You - Criss Wave Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Miss You - Criss Wave Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Miss You - Criss Wave Mix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Blond:ish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
