Out The Fire (At The Hotel) - Radio Edit by Franky Rizardo cover art

Out The Fire (At The Hotel) - Radio Edit

Franky Rizardo

Key
10A · B minor
BPM
128
Open Key
3m
Energy
91/100
Pop
65/100
Length
3:35
Released
2021
Genre
House
Loudness
-6.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 128 BPM), this version holds the same tempo in the same key.

Out The Fire (At The Hotel) - Radio Edit is a peak-time tempo house track in B minor (10A) at 128 BPM. It is vocal-led. Better known than 98% of Franky Rizardo's catalogue.

Groove:
groovier than 96% of Franky Rizardo's catalogue
Energy:
hotter than 78% of Franky Rizardo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood54Balanced
Groove85
Acoustic15
Instrumental0
Live20
Speech32

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Out The Fire (At The Hotel) - Radio Edit in?

Out The Fire (At The Hotel) - Radio Edit by Franky Rizardo is in B minor, or 10A on the Camelot wheel.

What BPM is Out The Fire (At The Hotel) - Radio Edit?

Out The Fire (At The Hotel) - Radio Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with Out The Fire (At The Hotel) - Radio Edit?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Out The Fire (At The Hotel) - Radio Edit good for peak time?

With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Franky Rizardo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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