Army - Dean Cohen Remix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:46
- Released
- 2013
- Album
- Army (Dean Cohen & Bass King & X-Vertigo Remixes)
- Genre
- Progressive House
- Loudness
- -3.9 dB
- Dynamics
- 12.0 dB
- ISRC
- GBDVG1383901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Army (club mix)version8A · 127
- Army - Tom Swoon Remixremix9A · 128
- Army - Bass King & X-Vertigo Remixremix8A · 127
- Army - Club Mixversion8A · 127
- Army - Radio Editversion8A · 127
Army - Dean Cohen Remix is a peak-time tempo progressive house track in G major (9B) at 128 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Sultan + Shepard's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 95% of Sultan + Shepard's catalogue
- Tempo:
- faster than 87% of Sultan + Shepard's catalogue
- Energy:
- hotter than 84% of Sultan + Shepard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Army - Dean Cohen Remix in?
Army - Dean Cohen Remix by Sultan + Shepard is in G major, or 9B on the Camelot wheel.
What BPM is Army - Dean Cohen Remix?
Army - Dean Cohen Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Army - Dean Cohen Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Army - Dean Cohen Remix good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Sultan + Shepard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
