Fast and Furious
- BPM
- 128
- Open Key
- 5d
- Energy
- 91/100
- Pop
- 29/100
- Length
- 3:15
- Released
- 2025
- Genre
- Tech House
- Loudness
- -5.8 dB
- ISRC
- DEH742502326
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Fast and Furious sits in E major (12B) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 95% of Eddy M's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fast and Furious in?
Fast and Furious by Eddy M is in E major, or 12B on the Camelot wheel.
What BPM is Fast and Furious?
Fast and Furious runs at 128 BPM, a peak-time tempo track.
What mixes well with Fast and Furious?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Fast and Furious good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
