Try
- Key
- 5A · C minor
- BPM
- 137
- Open Key
- 10m
- Energy
- 96/100
- Pop
- 26/100
- Length
- 2:06
- Released
- 2025
- Genre
- Tech House
- Loudness
- -5.1 dB
- ISRC
- DEH742501197
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo tech house cut, Try sits in C minor (5A) at 137 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 96% of Eddy M's catalogue.
- Groove:
- less groove-driven than 96% of Eddy M's catalogue
- Reach:
- better known than 90% of Eddy M's catalogue
- Energy:
- hotter than 84% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Try in?
Try by Eddy M is in C minor, or 5A on the Camelot wheel.
What BPM is Try?
Try runs at 137 BPM, a driving up-tempo track.
What mixes well with Try?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Try good for peak time?
With energy 96 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 137 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.