Work That by Carlo Lio cover art

Work That

Carlo Lio

30s preview

Key
1A · A♭ minor
BPM
137
Open Key
6m
Energy
95/100
Pop
2/100
Length
5:29
Released
2024
Genre
Tech House
Loudness
-7.5 dB
Dynamics
11.0 dB
ISRC
DEY472482828

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Work That runs 137 BPM in A♭ minor (1A), a driving up-tempo tech house record. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 95% of Carlo Lio's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 87% of Carlo Lio's catalogue
Brightness:
darker than 86% of Carlo Lio's catalogue
Groove:
less groove-driven than 82% of Carlo Lio's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood11Dark
Groove70
Acoustic0
Instrumental31
Live8
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Work That in?

Work That by Carlo Lio is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Work That?

Work That runs at 137 BPM, a driving up-tempo track.

What mixes well with Work That?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Work That good for peak time?

With energy 95 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 137 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

#Track

More tech house

More from Carlo Lio

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track