Onslaught - 2018 Remaster
30s preview
- BPM
- 137
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 6/100
- Length
- 5:30
- Released
- 2018
- Album
- FJAAK 002
- Genre
- Techno
- Loudness
- -7.8 dB
- Dynamics
- 13.7 dB
- ISRC
- DEWX41800002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Onslaught - FJAAK Remixremix1B · 132
Onslaught - 2018 Remaster runs 137 BPM in D♭ major (3B), a driving up-tempo techno record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Hotter than 93% of Robert Hood's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Robert Hood's catalogue
- Brightness:
- brighter than 80% of Robert Hood's catalogue
- Groove:
- less groove-driven than 79% of Robert Hood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Onslaught - 2018 Remaster in?
Onslaught - 2018 Remaster by Robert Hood is in D♭ major, or 3B on the Camelot wheel.
What BPM is Onslaught - 2018 Remaster?
Onslaught - 2018 Remaster runs at 137 BPM, a driving up-tempo track.
What mixes well with Onslaught - 2018 Remaster?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Onslaught - 2018 Remaster good for peak time?
With energy 98 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 137 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More techno
More from Robert Hood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
