Art School by Robert Hood cover art

Art School

Robert Hood

Key
12B · E major
BPM
141
Half-time
71
Open Key
5d
Energy
91/100
Pop
21/100
Length
8:16
Released
2025
Genre
Techno
Label
M-Plant
Loudness
-9.8 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Art School runs 141 BPM in E major (12B), a driving up-tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 97% of Robert Hood's catalogue. For programming, treat it as a floor-filler.

Tempo:
faster than 88% of Robert Hood's catalogue
Energy:
hotter than 77% of Robert Hood's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood45Balanced
Groove73
Acoustic0
Instrumental82
Live17
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Art School in?

Art School by Robert Hood is in E major, or 12B on the Camelot wheel.

What BPM is Art School?

Art School runs at 141 BPM, a driving up-tempo track.

What mixes well with Art School?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Art School good for peak time?

With energy 91 out of 100 at 141 BPM, it works best as a floor-filler.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#Track

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 141 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Robert Hood

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track