Till the End of the Day (2014 Remaster)
30s preview
- Key
- 8B · C major
- BPM
- 141
- Half-time
- 71
- Open Key
- 1d
- Energy
- 91/100
- Pop
- 4/100
- Length
- 2:21
- Released
- 2022
- Album
- 60s Classics
- Genre
- Techno
- Loudness
- -3.3 dB
- Dynamics
- 12.7 dB
- ISRC
- GB5KW1499554
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Till The End Of The Day - Live 1972original8B · 166
- Till The End Of The Day - Live: Fillmore West 30 Nov 1970 KSAN-FM Broadcastoriginal6A · 77
- TILL THE END OF THE DAY - MONOoriginal8B · 140
- TILL THE END OF THE DAY - STEREOoriginal8B · 140
- Till The End Of The Day - Live: Fillmore West, San Francisco 29 Nov '69original3B · 82
- Till the End of the Dayoriginal8B · 140
Till the End of the Day (2014 Remaster): driving up-tempo techno, C major (8B), 141 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 89% of Kink's catalogue.
- Brightness:
- brighter than 85% of Kink's catalogue
- Reach:
- better known than 80% of Kink's catalogue
- Low end:
- more bass-heavy than 76% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Till the End of the Day (2014 Remaster) in?
Till the End of the Day (2014 Remaster) by Kink is in C major, or 8B on the Camelot wheel.
What BPM is Till the End of the Day (2014 Remaster)?
Till the End of the Day (2014 Remaster) runs at 141 BPM, a driving up-tempo track.
What mixes well with Till the End of the Day (2014 Remaster)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Till the End of the Day (2014 Remaster) good for peak time?
With energy 91 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 141 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
