Get Back in Line (2020 Stereo Remaster)
30s preview
- Key
- 9B · G major
- BPM
- 96
- Double-time
- 192
- Open Key
- 2d
- Energy
- 55/100
- Pop
- 34/100
- Length
- 3:06
- Released
- 1970
- Album
- Lola Versus Powerman and the Moneygoround, Pt. 1
- Genre
- Techno
- Loudness
- -7.1 dB
- Dynamics
- 12.1 dB
- ISRC
- GB5KW2001994
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Back In Lineoriginal9B · 97
- Get Back In Lineoriginal9B · 93
At 96 BPM in G major (9B), Get Back in Line (2020 Stereo Remaster) is a slow-groove tempo techno production. It reads as balanced in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 1970 production that still circulates in sets. Better known than 99% of Kink's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 90% of Kink's catalogue
- Tempo:
- slower than 89% of Kink's catalogue
- Brightness:
- darker than 84% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Get Back in Line (2020 Stereo Remaster) in?
Get Back in Line (2020 Stereo Remaster) by Kink is in G major, or 9B on the Camelot wheel.
What BPM is Get Back in Line (2020 Stereo Remaster)?
Get Back in Line (2020 Stereo Remaster) runs at 96 BPM, a slow-groove tempo track.
What mixes well with Get Back in Line (2020 Stereo Remaster)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Get Back in Line (2020 Stereo Remaster) good for peak time?
With energy 55 out of 100 at 96 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 96 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 90-102 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 96 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 96 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
