This Time Tomorrow (2020 Stereo Remaster)
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 80/100
- Pop
- 50/100
- Length
- 3:24
- Released
- 1970
- Album
- Lola Versus Powerman and the Moneygoround, Pt. 1
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 11.4 dB
- ISRC
- GB5KW2001998
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Time Tomorroworiginal9A · 129
This Time Tomorrow (2020 Stereo Remaster): peak-time tempo techno, G major (9B), 128 BPM. The feel is bright and euphoric. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 11 dB). A 1970 production that still circulates in sets. Better known than 99% of Kink's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is This Time Tomorrow (2020 Stereo Remaster) in?
This Time Tomorrow (2020 Stereo Remaster) by Kink is in G major, or 9B on the Camelot wheel.
What BPM is This Time Tomorrow (2020 Stereo Remaster)?
This Time Tomorrow (2020 Stereo Remaster) runs at 128 BPM, a peak-time tempo track.
What mixes well with This Time Tomorrow (2020 Stereo Remaster)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is This Time Tomorrow (2020 Stereo Remaster) good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
