Towards Infinity
30s preview
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2016
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 10.3 dB
- ISRC
- NLCK41036488
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in B major (1B), Towards Infinity is a peak-time tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Anetha's catalogue.
- Tempo:
- slower than 98% of Anetha's catalogue
- Low end:
- more bass-heavy than 88% of Anetha's catalogue
- Brightness:
- darker than 85% of Anetha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Towards Infinity in?
Towards Infinity by Anetha is in B major, or 1B on the Camelot wheel.
What BPM is Towards Infinity?
Towards Infinity runs at 128 BPM, a peak-time tempo track.
What mixes well with Towards Infinity?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Towards Infinity good for peak time?
With energy 81 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![Naive Response - Ø [Phase] Remix by Daniel Avery cover art](https://i.scdn.co/image/ab67616d00001e02801a4ddd0b5f4c352eda20f5){kind=small}
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Anetha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
