Syncronise - Original Mix
30s preview
- BPM
- 129
- Open Key
- 7d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 6:31
- Released
- 2014
- Album
- Revok EP
- Genre
- Techno
- Loudness
- -10.3 dB
- Dynamics
- 8.3 dB
- ISRC
- UK4GV1200013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in F♯ major (2B), Syncronise - Original Mix is a peak-time tempo techno production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Dax J's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 90% of Dax J's catalogue
- Energy:
- calmer than 79% of Dax J's catalogue
- Tempo:
- slower than 77% of Dax J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Syncronise - Original Mix in?
Syncronise - Original Mix by Dax J is in F♯ major, or 2B on the Camelot wheel.
What BPM is Syncronise - Original Mix?
Syncronise - Original Mix runs at 129 BPM, a peak-time tempo track.
What mixes well with Syncronise - Original Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Syncronise - Original Mix good for peak time?
With energy 77 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 129 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Dax J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
