Make a Wish by Robert Hood cover art

Make a Wish

Robert Hood

Key
9A · E minor
BPM
129
Open Key
2m
Energy
74/100
Pop
2/100
Length
5:30
Released
2003
Genre
Techno
Loudness
-16.5 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Make a Wish is a peak-time tempo techno track in E minor (9A) at 129 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. Brighter than 91% of Robert Hood's catalogue.

Groove:
less groove-driven than 82% of Robert Hood's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood74Bright
Groove62
Acoustic71
Instrumental97
Live7
Speech4
brightrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Make a Wish in?

Make a Wish by Robert Hood is in E minor, or 9A on the Camelot wheel.

What BPM is Make a Wish?

Make a Wish runs at 129 BPM, a peak-time tempo track.

What mixes well with Make a Wish?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Make a Wish good for peak time?

With energy 74 out of 100 at 129 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 129 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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