Superstition (Azid Mix) by Len Faki cover art

Superstition (Azid Mix)

Len Faki

30s preview

Key
9B · G major
BPM
129
Open Key
2d
Energy
73/100
Pop
0/100
Length
5:45
Released
2019
Genre
Techno
Loudness
-11.1 dB
Dynamics
10.8 dB
ISRC
DECY51901445

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Superstition (Azid Mix) is a peak-time tempo techno track in G major (9B) at 129 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 99% of Len Faki's catalogue.

Reach:
more underground than 99% of Len Faki's catalogue
Groove:
groovier than 88% of Len Faki's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood3Dark
Groove79
Acoustic0
Instrumental93
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Superstition (Azid Mix) in?

Superstition (Azid Mix) by Len Faki is in G major, or 9B on the Camelot wheel.

What BPM is Superstition (Azid Mix)?

Superstition (Azid Mix) runs at 129 BPM, a peak-time tempo track.

What mixes well with Superstition (Azid Mix)?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Superstition (Azid Mix) good for peak time?

With energy 73 out of 100 at 129 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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