Unflug - Good Groove & Yapacc Remix by Ricardo Villalobos cover art

Unflug - Good Groove & Yapacc Remix

Ricardo Villalobos

30s preview

Key
10B · D major
BPM
129
Open Key
3d
Energy
70/100
Pop
3/100
Length
8:02
Released
2007
Album
Unflug Mixes
Genre
Techno
Label
Frisbee Tracks
Loudness
-12.4 dB
Dynamics
10.8 dB
ISRC
DEBL60610333

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 132 BPM), this version runs 3 BPM slower and moves the key from 3A to 10B.

Unflug - Good Groove & Yapacc Remix is a peak-time tempo techno track in D major (10B) at 129 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Faster than 80% of Ricardo Villalobos's catalogue. For programming, treat it as a floor-filler.

Energy:
hotter than 79% of Ricardo Villalobos's catalogue
Brightness:
darker than 79% of Ricardo Villalobos's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood18Dark
Groove77
Acoustic0
Instrumental84
Live7
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Unflug - Good Groove & Yapacc Remix in?

Unflug - Good Groove & Yapacc Remix by Ricardo Villalobos is in D major, or 10B on the Camelot wheel.

What BPM is Unflug - Good Groove & Yapacc Remix?

Unflug - Good Groove & Yapacc Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with Unflug - Good Groove & Yapacc Remix?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Unflug - Good Groove & Yapacc Remix good for peak time?

With energy 70 out of 100 at 129 BPM, it works best as a floor-filler.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 129 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track