Last Man on Mars
30s preview
- Key
- 8A · A minor
- BPM
- 129
- Open Key
- 1m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:04
- Released
- 2021
- Genre
- Tech House
- Loudness
- -9.2 dB
- Dynamics
- 8.9 dB
- ISRC
- GBJX32100025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Last Man on Mars is a peak-time tempo tech house track in A minor (8A) at 129 BPM. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Carlo Lio's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 91% of Carlo Lio's catalogue
- Brightness:
- darker than 88% of Carlo Lio's catalogue
- Energy:
- calmer than 83% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Last Man on Mars in?
Last Man on Mars by Carlo Lio is in A minor, or 8A on the Camelot wheel.
What BPM is Last Man on Mars?
Last Man on Mars runs at 129 BPM, a peak-time tempo track.
What mixes well with Last Man on Mars?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Last Man on Mars good for peak time?
With energy 68 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 129 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
