In the Place by Biscits cover art

In the Place

Biscits

30s preview

Key
2B · F♯ major
BPM
129
Open Key
7d
Energy
67/100
Pop
23/100
Length
3:03
Released
2024
Genre
Tech House
Loudness
-7.1 dB
Dynamics
9.2 dB
ISRC
US38Y2418030

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 129 BPM in F♯ major (2B), In the Place is a peak-time tempo tech house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 92% of Biscits's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 91% of Biscits's catalogue
Energy:
calmer than 88% of Biscits's catalogue
Groove:
groovier than 84% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood69Bright
Groove86
Acoustic2
Instrumental2
Live15
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is In the Place in?

In the Place by Biscits is in F♯ major, or 2B on the Camelot wheel.

What BPM is In the Place?

In the Place runs at 129 BPM, a peak-time tempo track.

What mixes well with In the Place?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is In the Place good for peak time?

With energy 67 out of 100 at 129 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 129 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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