Clouds - Edit
30s preview
- Key
- 9B · G major
- BPM
- 129
- Open Key
- 2d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 2020
- Album
- Primrose EP
- Genre
- Tech House
- Label
- LTF Records
- Loudness
- -8.4 dB
- Dynamics
- 14.5 dB
- ISRC
- GBKQU2022810
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in G major (9B), Clouds - Edit is a peak-time tempo tech house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Franky Rizardo's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Franky Rizardo's catalogue
- Tempo:
- faster than 87% of Franky Rizardo's catalogue
- Energy:
- calmer than 83% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Clouds - Edit in?
Clouds - Edit by Franky Rizardo is in G major, or 9B on the Camelot wheel.
What BPM is Clouds - Edit?
Clouds - Edit runs at 129 BPM, a peak-time tempo track.
What mixes well with Clouds - Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Clouds - Edit good for peak time?
With energy 68 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
