Shinjuku
30s preview
- BPM
- 129
- Open Key
- 6m
- Energy
- 90/100
- Pop
- 77/100
- Length
- 2:48
- Released
- 2026
- Genre
- House
- Loudness
- -7.7 dB
- Dynamics
- 13.3 dB
- ISRC
- NLML62600055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Shinjuku is a peak-time tempo house track in A♭ minor (1A) at 129 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 99% of Franky Rizardo's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 87% of Franky Rizardo's catalogue
- Brightness:
- brighter than 83% of Franky Rizardo's catalogue
- Groove:
- less groove-driven than 77% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Shinjuku in?
Shinjuku by Franky Rizardo is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Shinjuku?
Shinjuku runs at 129 BPM, a peak-time tempo track.
What mixes well with Shinjuku?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Shinjuku good for peak time?
With energy 90 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 129 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
