Swing Theory - Radio Edit
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 88/100
- Pop
- 28/100
- Length
- 3:54
- Released
- 2020
- Album
- Swing Theory EP
- Genre
- Tech House
- Loudness
- -7.3 dB
- Dynamics
- 17.5 dB
- ISRC
- GBKQU2060676
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Swing Theory - Black Loops Radio Editversion12A · 128
Swing Theory - Radio Edit runs 129 BPM in F♯ minor (11A), a peak-time tempo tech house record. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 92% of Sidney Charles's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 92% of Sidney Charles's catalogue
- Tempo:
- faster than 75% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Swing Theory - Radio Edit in?
Swing Theory - Radio Edit by Sidney Charles is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Swing Theory - Radio Edit?
Swing Theory - Radio Edit runs at 129 BPM, a peak-time tempo track.
What mixes well with Swing Theory - Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Swing Theory - Radio Edit good for peak time?
With energy 88 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
