Who's Who by Tal Fussman cover art

Who's Who

Tal Fussman

30s preview

Key
10A · B minor
BPM
129
Open Key
3m
Energy
87/100
Pop
0/100
Length
7:27
Released
2025
Genre
Techno
Loudness
-10.8 dB
Dynamics
10.9 dB
ISRC
GBLTF2500146

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Who's Who is a peak-time tempo techno track in B minor (10A) at 129 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Tal Fussman's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 86% of Tal Fussman's catalogue
Tempo:
faster than 79% of Tal Fussman's catalogue
Low end:
more bass-heavy than 79% of Tal Fussman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood8Dark
Groove76
Acoustic0
Instrumental90
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Who's Who in?

Who's Who by Tal Fussman is in B minor, or 10A on the Camelot wheel.

What BPM is Who's Who?

Who's Who runs at 129 BPM, a peak-time tempo track.

What mixes well with Who's Who?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Who's Who good for peak time?

With energy 87 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 129 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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