Even Rome Wasn't Built In a Day
30s preview
- BPM
- 129
- Open Key
- 7m
- Energy
- 84/100
- Pop
- 23/100
- Length
- 7:12
- Released
- 2024
- Album
- Definition
- Genre
- House
- Label
- REKIDS
- Loudness
- -10.8 dB
- Dynamics
- 19.2 dB
- ISRC
- GBLTF2400071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Even Rome Wasn't Built In a Day is a peak-time tempo house track in E♭ minor (2A) at 129 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Better known than 89% of Tal Fussman's catalogue.
- Low end:
- more treble-tilted than 81% of Tal Fussman's catalogue
- Tempo:
- faster than 79% of Tal Fussman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Even Rome Wasn't Built In a Day in?
Even Rome Wasn't Built In a Day by Tal Fussman is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Even Rome Wasn't Built In a Day?
Even Rome Wasn't Built In a Day runs at 129 BPM, a peak-time tempo track.
What mixes well with Even Rome Wasn't Built In a Day?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Even Rome Wasn't Built In a Day good for peak time?
With energy 84 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 129 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Tal Fussman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
