Hyper Rave (original mix) by Sidney Charles cover art

Hyper Rave (original mix)

Sidney Charles

Key
4A · F minor
BPM
132
Open Key
9m
Energy
95/100
Pop
58/100
Length
3:05
Released
2025
Genre
Tech House
Loudness
-8.4 dB
ISRC
GXG4Y2500034

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Hyper Rave (original mix) sits in F minor (4A) at 132 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Better known than 99% of Sidney Charles's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 97% of Sidney Charles's catalogue
Groove:
less groove-driven than 88% of Sidney Charles's catalogue
Energy:
hotter than 81% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood46Balanced
Groove74
Acoustic6
Instrumental4
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hyper Rave (original mix) in?

Hyper Rave (original mix) by Sidney Charles is in F minor, or 4A on the Camelot wheel.

What BPM is Hyper Rave (original mix)?

Hyper Rave (original mix) runs at 132 BPM, a peak-time tempo track.

What mixes well with Hyper Rave (original mix)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Hyper Rave (original mix) good for peak time?

With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More tech house

#Track

More from Sidney Charles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track