Break It Down - Radio-Edit
30s preview
- BPM
- 132
- Open Key
- 8m
- Energy
- 95/100
- Pop
- 4/100
- Length
- 1:56
- Released
- 2024
- Album
- Pump It
- Genre
- Tech House
- Loudness
- -7.5 dB
- Dynamics
- 14.1 dB
- ISRC
- DEH742428313
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Break It Down - Radio-Edit: peak-time tempo tech house, B♭ minor (3A), 132 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Brighter than 95% of Eddy M's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 84% of Eddy M's catalogue
- Energy:
- hotter than 78% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Break It Down - Radio-Edit in?
Break It Down - Radio-Edit by Eddy M is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Break It Down - Radio-Edit?
Break It Down - Radio-Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Break It Down - Radio-Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Break It Down - Radio-Edit good for peak time?
With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
