We Are the Robots
30s preview
- BPM
- 132
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 1/100
- Length
- 4:21
- Released
- 2024
- Genre
- Techno
- Loudness
- -7.4 dB
- Dynamics
- 11.9 dB
- ISRC
- GBKQU2438077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Are the Robots: peak-time tempo techno, B♭ minor (3A), 132 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 96% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Christian Smith's catalogue
- Low end:
- more treble-tilted than 94% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is We Are the Robots in?
We Are the Robots by Christian Smith is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Are the Robots?
We Are the Robots runs at 132 BPM, a peak-time tempo track.
What mixes well with We Are the Robots?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Are the Robots good for peak time?
With energy 97 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
