Jackin - Shall Ocin Remix by Christian Smith cover art

Jackin - Shall Ocin Remix

Christian Smith

30s preview

Key
2A · E♭ minor
BPM
126
Open Key
7m
Energy
67/100
Pop
23/100
Length
6:13
Released
2018
Album
Synergy [Remixed]
Genre
Techno
Label
Tronic
Loudness
-8.2 dB
Dynamics
8.7 dB
ISRC
GBKQU1859887

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2A at 128 BPM), this version runs 2 BPM slower in the same key.

Jackin - Shall Ocin Remix: club-tempo techno, E♭ minor (2A), 126 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Better known than 98% of Christian Smith's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 81% of Christian Smith's catalogue
Energy:
calmer than 80% of Christian Smith's catalogue
Brightness:
brighter than 78% of Christian Smith's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood34Balanced
Groove80
Acoustic0
Instrumental91
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Jackin - Shall Ocin Remix in?

Jackin - Shall Ocin Remix by Christian Smith is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Jackin - Shall Ocin Remix?

Jackin - Shall Ocin Remix runs at 126 BPM, a club-tempo track.

What mixes well with Jackin - Shall Ocin Remix?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Jackin - Shall Ocin Remix good for peak time?

With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Christian Smith

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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