The Future Is Ours
30s preview
- BPM
- 135
- Open Key
- 9d
- Energy
- 80/100
- Pop
- 22/100
- Length
- 6:25
- Released
- 2021
- Genre
- Techno
- Label
- Tronic
- Loudness
- -9.0 dB
- Dynamics
- 15.3 dB
- ISRC
- GBKQU2147233
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Future Is Ours - Warehouse Mixoriginal9A · 135
A driving up-tempo techno cut, The Future Is Ours sits in A♭ major (4B) at 135 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 97% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 91% of Christian Smith's catalogue
- Tempo:
- faster than 82% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is The Future Is Ours in?
The Future Is Ours by Christian Smith is in A♭ major, or 4B on the Camelot wheel.
What BPM is The Future Is Ours?
The Future Is Ours runs at 135 BPM, a driving up-tempo track.
What mixes well with The Future Is Ours?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is The Future Is Ours good for peak time?
With energy 80 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 135 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
![KALLAIT 02 [230831] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/21ff7a61514a06505d53.webp){kind=small}
![SILVENE 01 [240122] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e0233b21a37911a320ba70ce125){kind=small}
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![KALLAIT 03 [230211.3] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e02fa93f7c1b8901946ec408df0){kind=small}
