The Radioactive Zone - Otin Remix
- BPM
- 135
- Open Key
- 7m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2019
- Album
- Radioactive
- Genre
- Techno
- Loudness
- -10.9 dB
- ISRC
- GBKQU1939549
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Radioactive Zoneversion10A · 130
- The Radioactive Zone - Kamil Van Derson Remixremix9A · 132
- The Radioactive Zone - Sopik Remixremix11B · 128
A driving up-tempo techno cut, The Radioactive Zone - Otin Remix sits in E♭ minor (2A) at 135 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 79% of Marco Ginelli's catalogue
- Groove:
- groovier than 78% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Radioactive Zone - Otin Remix in?
The Radioactive Zone - Otin Remix by Marco Ginelli is in E♭ minor, or 2A on the Camelot wheel.
What BPM is The Radioactive Zone - Otin Remix?
The Radioactive Zone - Otin Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with The Radioactive Zone - Otin Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is The Radioactive Zone - Otin Remix good for peak time?
With energy 82 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 135 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
