YOUR FAVOURITE BAD TRIP
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 1/100
- Length
- 5:28
- Released
- 2025
- Genre
- Hard Techno
- Loudness
- -3.4 dB
- Dynamics
- 9.3 dB
- ISRC
- GB8KE2531343
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
YOUR FAVOURITE BAD TRIP: very fast hard techno, D♭ major (3B), 170 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 99% of Marco Ginelli's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 99% of Marco Ginelli's catalogue
- Groove:
- less groove-driven than 99% of Marco Ginelli's catalogue
- Reach:
- better known than 97% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is YOUR FAVOURITE BAD TRIP in?
YOUR FAVOURITE BAD TRIP by Marco Ginelli is in D♭ major, or 3B on the Camelot wheel.
What BPM is YOUR FAVOURITE BAD TRIP?
YOUR FAVOURITE BAD TRIP runs at 170 BPM, a very fast track.
What mixes well with YOUR FAVOURITE BAD TRIP?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is YOUR FAVOURITE BAD TRIP good for peak time?
With energy 100 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 170 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More hard techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
