All Day And All Of The Night
- Key
- 8B · C major
- BPM
- 168
- Half-time
- 84
- Open Key
- 1d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:43
- Released
- 1980
- Album
- One For The Road (Reissue)
- Genre
- Techno
- Loudness
- -7.1 dB
- ISRC
- USKO10690057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Day and All of the Night - 2023 Remasteroriginal9B · 137
- All Day and All of the Night - 2014 Remastered Versionoriginal9B · 137
- ALL DAY AND ALL OF THE NIGHT - MONOoriginal9B · 135
- ALL DAY AND ALL OF THE NIGHT - STEREOoriginal9B · 134
- All Day And All Of The Night - Live in London 30th October, 1964original8B · 136
- All Day And All Of The Night - Live in London December 9th, 1964original8B · 139
All Day And All Of The Night is a very fast techno track in C major (8B) at 168 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. A 1980 production that still circulates in sets. Hotter than 99% of Kink's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of Kink's catalogue
- Tempo:
- faster than 92% of Kink's catalogue
- Brightness:
- darker than 90% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All Day And All Of The Night in?
All Day And All Of The Night by Kink is in C major, or 8B on the Camelot wheel.
What BPM is All Day And All Of The Night?
All Day And All Of The Night runs at 168 BPM, a very fast track.
What mixes well with All Day And All Of The Night?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is All Day And All Of The Night good for peak time?
With energy 99 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 168 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
